![]() ![]() With regards to content sharing and client review – specifically in linear content such as movies and TV – new collaborative tools such as cineSync have emerged, and they’re far more artist-friendly. In the past I have had some success with Cage and Trello, but as the internet evolves the tools that we use to collaborate must change as well. However, most of these are business focused – my attempts to find tools that lend themselves to creative workflows haven’t been totally fruitful. In response to this a wealth of tools have stepped up to fill the gap in the market, offering everything from group conversations in software such as Skype, to screen sharing in tools like TeamViewer. If everyone’s working in the same city it’s a simple enough process – but with the increasingly global nature of today’s working practices in digital content production, from film to television, traditional physical meetings might not even take place for many projects. This is something that I’ve become all-too familiar with as a one-man CGI facility, so I’m always keen to find ways to make the review and meeting process as painless as possible. cineSync’s media review platform has been used on projects such as Game of Thrones, Interstellar, The Walking Dead, the Fast and the Furious films, multiple Bond films, and every entry into the Marvel Cinematic Universe.So – what’s the hardest thing to manage in any digital project? It’s not the shot list, or the asset databases, or the ever-encroaching deadlines – it’s the people involved!įrom artist to producers to clients, getting everyone on the same page (or frame) can take as much time as getting the actual production work completed. The company provides a synchronized media review solution for film studios, TV networks and VFX houses, including Disney, Warner Bros, Paramount, 20th Century Fox, Sony, Netflix, and HBO. ![]() Led by Rory McGregor, CEO, Cospective develops cineSync and Frankie – visual communication tools for synchronized review of creative projects. Led by Fredrik Limsäter, CEO, ftrack is the project management, production tracking and media review platform that teams in the creative industries use to collaborate. For ftrack, access to the cineSync team will drive new technologies and innovation and strengthen the review capabilities within the ftrack product suite. In the longer-term, the acquisition will supply Cospective with additional resources to further develop features and workflow solutions with a focus on media review and approval. In the short term, this acquisition will enable the company to offer 24-hour product support via the global ftrack organization. In the short term, this acquisition will enable Cospective to offer 24-hour product support via the global ftrack organization. Together, the companies will bring new innovations to market, strengthen the review capabilities of the ftrack ecosystem, and capitalize on the technology Cospective has built over the past 14 years.Ĭospective will remain based in Adelaide, Australia and will continue to develop and support cineSync and Frankie, including maintenance of integrations with third-party software vendors. This acquisition enables Cospective and ftrack to work closely in the pursuit of faster workflows. The amount of the deal was not disclosed. Ftrack, the Stockholm, Sweden-based creator of the production tracking and media review platform for creatives, acquired Cospective, an Australian creator of a synchronized remote review tool cineSync. ![]()
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